Cypress Sky
Green Mandarin · Cypress · Cedarwood
A green aromatic woody fragrance with notes of Green Mandarin, Cypress and Cedarwood, for woman and men.
Cypress Sky
Green Mandarin · Cypress · Cedarwood
A green aromatic woody fragrance with notes of Green Mandarin, Cypress and Cedarwood, for woman and men.
Try the fragrance first
Every 60ml bottle ships with a matching sample. Wear it first — open the porcelain when you're ready.
Green MandarinCypressCedarwood
Olfactory notes
The composition.
Cypress Sky opens with green mandarin and pineapple lifted by bergamot, a bright, leafy freshness with just a hint of fruit. Cypress and violet form the heart, cool and green as shade under tall trees. Musk and cedarwood settle beneath, clean, dry and quietly composed.
How it wears
I · First spray
The opening
Green mandarin arrives first, leafy and bright, with pineapple adding a flash of fruit and bergamot keeping it crisp. The opening is fresh air with the sun in it.
II · The heart
The heart of the scent
Cypress takes over, cool and resinous-green, with violet softening its edges. The brightness deepens into shade: still outdoors, now under the trees.
III · The dry-down
The settle
Musk and cedarwood close the composition, clean, dry and composed. What remains is a quiet green woodiness: the sky through branches, worn lightly.
The scent, in the order it arrives.

THE PERFUMER
NEIL JACOBS
“Cypress Sky has this wonderful feeling of space about it. You have the brightness of green mandarin, then the cypress and dry cedarwood underneath. Whenever I smell it, I think of trees, open sky and that feeling of taking a really deep breath.”
THE CERAMIST
STEPHAN JACOBS
“Every vessel begins soft enough to remember a touch. The relief is pressed by hand before the clay fully sets — it is the only moment in the process where the material still yields. After 1220°C, it remembers nothing else.”
Peak firing temperature
I · THE CASTING
Cast by hand
Each perfume bottle begins as liquid porcelain slip, cast by hand into a plaster mould in our Johannesburg studio.
II · THE FETTLING
Refined while it yields
Once released, every piece is left to dry for several days before being meticulously fettled: edges softened, lines refined, and surfaces smoothed with tools and wet sponging. After this shaping stage, the vessels dry again for a further two to three days before entering the kiln.
III · THE FIRING
Two paths through the kiln
Some bottles are left unglazed and receive a single high-temperature firing, resulting in a soft, tactile matte finish that highlights the natural character of porcelain. Others undergo a two-step process: an initial bisque firing followed by glazing and a final high-temperature firing, creating a glossy, smooth surface with a polished, glasslike feel.
IV · THE FINISHING
Sanded, filled, released
Once fired to 1220°C, each vessel is wet-sanded with a fine abrasive to achieve perfect smoothness. Only the most flawless bottles pass our quality control before reaching the filling line, where they are filled with perfume, fitted with a high quality perfume pump and branded zinc-alloy cap, and finally boxed for release.

More than a container, the vessel is an object of craftsmanship which has been shaped slowly, finished by hand, and made to be kept.
PROVENANCE
Our fragrances are composed, bottled and boxed in South Africa.
Each porcelain vessel is designed and handmade locally by our in-house ceramicists.










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