Amber Glow
Rose · Musk · Sandalwood
A radiant floral woody musk fragrance with notes of Rose, Musk and Sandalwood for women and men.
Amber Glow
Rose · Musk · Sandalwood
A radiant floral woody musk fragrance with notes of Rose, Musk and Sandalwood for women and men.
Try the fragrance first
Every 60ml bottle ships with a matching sample. Wear it first — open the porcelain when you're ready.
BergamotRoseSandalwood
Olfactory notes
The composition.
Amber Glow opens with bergamot and lemon brightened by a crisp bite of apple. A full floral heart follows, rose, jasmine and violet in warm accord. Patchouli, cedarwood, sandalwood and musk settle beneath, giving the fragrance its radiant, lasting glow.
How it wears
I · First spray
The opening
Bergamot and lemon arrive first, with a crisp bite of apple giving the citrus an unexpected sweetness. The opening is bright, polished and immediately warm.
II · The heart
The heart of the scent
Rose leads a full floral heart, with jasmine deepening it and violet keeping it soft. This is where the glow begins: radiant, rounded, unmistakably floral.
III · The dry-down
The settle
Patchouli and cedarwood ground the florals as sandalwood and musk smooth them into warmth. What remains is the amber glow itself: woody, musky and quietly radiant.
The scent, in the order it arrives.

THE PERFUMER
NEIL JACOBS
“Amber Glow is really about warmth for me. The rose, musk and sandalwood sit very close together and become incredibly soft on the skin. It’s the kind of fragrance that I think is best experienced by someone standing quite close to you.”
THE CERAMIST
STEPHAN JACOBS
“Every vessel begins soft enough to remember a touch. The relief is pressed by hand before the clay fully sets — it is the only moment in the process where the material still yields. After 1220°C, it remembers nothing else.”
Peak firing temperature
I · THE CASTING
Cast by hand
Each perfume bottle begins as liquid porcelain slip, cast by hand into a plaster mould in our Johannesburg studio.
II · THE FETTLING
Refined while it yields
Once released, every piece is left to dry for several days before being meticulously fettled: edges softened, lines refined, and surfaces smoothed with tools and wet sponging. After this shaping stage, the vessels dry again for a further two to three days before entering the kiln.
III · THE FIRING
Two paths through the kiln
Some bottles are left unglazed and receive a single high-temperature firing, resulting in a soft, tactile matte finish that highlights the natural character of porcelain. Others undergo a two-step process: an initial bisque firing followed by glazing and a final high-temperature firing, creating a glossy, smooth surface with a polished, glasslike feel.
IV · THE FINISHING
Sanded, filled, released
Once fired to 1220°C, each vessel is wet-sanded with a fine abrasive to achieve perfect smoothness. Only the most flawless bottles pass our quality control before reaching the filling line, where they are filled with perfume, fitted with a high quality perfume pump and branded zinc-alloy cap, and finally boxed for release.

More than a container, the vessel is an object of craftsmanship which has been shaped slowly, finished by hand, and made to be kept.
PROVENANCE
Our fragrances are composed, bottled and boxed in South Africa.
Each porcelain vessel is designed and handmade locally by our in-house ceramicists.










Reviews 0
There are no reviews yet.