Floral Bloom
Freesia · Vanilla · Caramel
A floral gourmand fragrance with notes of Freesia, Vanilla and Sandalwood, for woman.
Floral Bloom
Freesia · Vanilla · Caramel
A floral gourmand fragrance with notes of Freesia, Vanilla and Sandalwood, for woman.
Try the fragrance first
Every 60ml bottle ships with a matching sample. Wear it first — open the porcelain when you're ready.
FreesiaJasmineCaramel
Olfactory notes
The composition.
Floral Bloom opens with freesia and rose lifted by a sparkle of bergamot. Jasmine follows, folding into vanilla with a creamy, gourmand warmth. Caramel and musk settle last over smooth sandalwood and a thread of patchouli, soft sweetness kept polished rather than heavy.
How it wears
I · First spray
The opening
Freesia and rose arrive together, bright and unmistakably feminine, with a sparkle of bergamot cutting through the petals. The first minutes are all lift.
II · The heart
The heart of the scent
Jasmine deepens as the top notes soften, folding into vanilla. The florals lose none of their brightness; they simply turn creamier, warmer, closer to the skin.
III · The dry-down
The settle
Caramel and musk settle into a soft sweetness, held in check by smooth sandalwood and a thread of patchouli. What remains is warm and inviting rather than heavy: a modern floral finished with just enough gourmand.
The scent, in the order it arrives.

THE PERFUMER
NEIL JACOBS
“I don’t think every fragrance needs to be complicated. Floral Bloom is just really beautiful to wear. The freesia is bright and joyful, and then you have the vanilla and sandalwood underneath that make everything feel softer and warmer.”
THE CERAMIST
STEPHAN JACOBS
“Every vessel begins soft enough to remember a touch. The relief is pressed by hand before the clay fully sets — it is the only moment in the process where the material still yields. After 1220°C, it remembers nothing else.”
Peak firing temperature
I · THE CASTING
Cast by hand
Each perfume bottle begins as liquid porcelain slip, cast by hand into a plaster mould in our Johannesburg studio.
II · THE FETTLING
Refined while it yields
Once released, every piece is left to dry for several days before being meticulously fettled: edges softened, lines refined, and surfaces smoothed with tools and wet sponging. After this shaping stage, the vessels dry again for a further two to three days before entering the kiln.
III · THE FIRING
Two paths through the kiln
Some bottles are left unglazed and receive a single high-temperature firing, resulting in a soft, tactile matte finish that highlights the natural character of porcelain. Others undergo a two-step process: an initial bisque firing followed by glazing and a final high-temperature firing, creating a glossy, smooth surface with a polished, glasslike feel.
IV · THE FINISHING
Sanded, filled, released
Once fired to 1220°C, each vessel is wet-sanded with a fine abrasive to achieve perfect smoothness. Only the most flawless bottles pass our quality control before reaching the filling line, where they are filled with perfume, fitted with a high quality perfume pump and branded zinc-alloy cap, and finally boxed for release.

More than a container, the vessel is an object of craftsmanship which has been shaped slowly, finished by hand, and made to be kept.
PROVENANCE
Our fragrances are composed, bottled and boxed in South Africa.
Each porcelain vessel is designed and handmade locally by our in-house ceramicists.










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